Olivier Fermariello’s photography series “Je t’aime moi aussi” of people with disabilities.via beautifuldecay.comOlivier Fermariello’s photography series “Je t’aime moi aussi” of people with disabilities.via beautifuldecay.com
Anonymous:
You are amazing!! Your have opened my eyes to a new aspect of art. If you dont mind me asking how did you come about creating photodissolutions? what steps did you take?

Thank you for your kind words. I am really glad that in some way I did manage to do such thing like inspiring creativity….that’s amazing. Before I’ve been working and experimenting with analogue photography darkroom printing and later I went oil painting what I was photographing but my painting still remained very photography based ( I paint portraits form pictures I take). Working in a painting-manner directly on pictures so was spontaneous and a very natural consequence of my experiments between painting and photography. Terry’s pictures happened to be there around in my workspace and made a perfect “canvas” for this hybrid project. Thank you again for letting me know your impression. This was definitely beyond my expectations. Warmly. K

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Robert Rauschenberg
American (Port Arthur, Texas, 1925 - 2008, Captiva, Florida)
Erased de Kooning Drawing
1953
drawing | traces of drawing media on paper with label and gilded frame.Source: SFMOMA
Robert Rauschenberg
American (Port Arthur, Texas, 1925 - 2008, Captiva, Florida)
Erased de Kooning Drawing
1953
drawing | traces of drawing media on paper with label and gilded frame.Source: SFMOMA
Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.Seung-Hwan OH
ImpermanencePigment print and microbes on cotton paper.
2012 ~

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.
Source: binary-finale via z-vinyl
NVM illustrationNVM illustration